It is spring again and the window can be left open as often as one would like. As spring comes in through the windows, so people——unable to bear staying inside any longer——go outdoors. The spring outside, however, is much too cheap, for the sun shines on everything, and so does not seem as bright as that which shoots into the darkness of the house. Outside the sun-slothed breeze blows everywhere, but it is not so lively as that which stirs the gloominess inside the house. Even the chirping of the birds sounds so thin and broken that the quietness of the house is needed to set it off. It seems that spring was always meant to be put behind a windowpane for show, just like a picture in a frame.

　　同时，我们悟到，门和窗有不同的意义。当然，门是造了让人出进的。但是，窗子有时也可作为进出口用，譬如小偷或小说里私约的情人就喜欢爬窗子。所以窗子和门的根本分别，决不仅是有没有人进来出去。若据赏春一事来看，我们不妨这样说：有了门，我们可以出去；有了窗，我们可以不必出去。窗子打通了大自然和人的隔膜，把风和太阳逗引进来，使屋子里也关着一部分春天，让我们安坐了享受，无需再到外面去找。　　

At the same time it also becomes clear that the door has a different significance from the window. Of course, doors were made for people to pass through; but a window can also sometimes serve as an entrance or as an exit, and is used as such by thieves and by lovers in novels. In fact the fundamental difference between a door and a window has nothing to do with them being either entrances or exits. When it comes to the admiration of spring, it could be put this way: a door makes it possible for one to go out, whereas a window makes it possible for one not to have to. A window helps to pull down the partition between man and nature. It leads breezes and sunlight in, and keeps part of the spring in the house. It allows one to sit and enjoy the spring in peace, and makes it unnecessary to go looking for it outside.

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